April152014
zohbugg:

justamerplwithabox:

vivelafat:

prokopetz:

officialdeadparrot:

grellholmes:

elsajeni:

gunslingerannie:

justtkeepcalmm:

dean-and-his-pie:

fororchestra:

musicalmelody:

Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it” 
Our Band Director then informed us we sounded perfect. 

To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.
On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.

I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…

Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.
The lengths we go for music.

Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.

One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”
And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:
[stifled giggling]
[reeeeeeally deep breath]
[COLOSSAL FOGHORN NOISE]
The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.
In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”
FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.

This is the best band post 
Everyone else go home

Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this

which is 8 fortes. We were shocked until,

that is 24 fortes who the fuck does that

Who does that?

This guy. Take a good look - that is the moustache of a man with nothing to lose.

Julius IdontgivaFucik

More like Julius Fuckit

this post just kept getting better and better

zohbugg:

justamerplwithabox:

vivelafat:

prokopetz:

officialdeadparrot:

grellholmes:

elsajeni:

gunslingerannie:

justtkeepcalmm:

dean-and-his-pie:

fororchestra:

musicalmelody:

Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it” 

Our Band Director then informed us we sounded perfect. 

To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.

On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.

I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…

Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.

The lengths we go for music.

Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.

One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”

And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:

[stifled giggling]

[reeeeeeally deep breath]

[COLOSSAL FOGHORN NOISE]

The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.

In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”

FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.

This is the best band post 

Everyone else go home

Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this

image

which is 8 fortes. We were shocked until,

image

that is 24 fortes who the fuck does that

Who does that?

This guy. Take a good look - that is the moustache of a man with nothing to lose.

Julius IdontgivaFucik

More like Julius Fuckit

this post just kept getting better and better

(Source: housecatincarnate, via miniaturebeereblogs)

6PM

eschergirls:

nadadoll:

figure 1: head drawings by Andrew Loomis, 1956

figure 2: women’s head designs can be generated by the same methods, they don’t have to all look very nearly the same

Some food for thought for drawing women and avoiding drawing a single female face.  Too often artists seem to be afraid to give women big noses or lines or other distinguishing features, and we end up with the same face on all the characters.  I’ve been browsing a lot of genderswap art lately and I’ve noticed that when male characters with large noses, thin faces, wrinkles, or other features get genderswapped, they tend to end up with small noses, round faces, and no wrinkles, and they no longer look distinct (they also look much younger than the original).  So, just some references and a reminder that women’s faces have all sorts of different features, and you don’t need to just have small cute features with no wrinkles to have a character look female.

(via dusty-tea)

art 

6PM
shitshilarious:

Looks like the screenshot of a new Disney Channel series
"She’s 15 and an aspiring singer"
"and she’s a gorilla"
"And now they are STEP-SISTERS"
"Life will NEVER be the same for Madison and CoCo"
"Also for some reason its a secret and they dress CoCo up like a human to go to school"
“MONKEY BUSINESS. ONLY ON DISNEY CHANNEL”

… Screw it, I would watch the hell out of that.

shitshilarious:

Looks like the screenshot of a new Disney Channel series

"She’s 15 and an aspiring singer"

"and she’s a gorilla"

"And now they are STEP-SISTERS"

"Life will NEVER be the same for Madison and CoCo"

"Also for some reason its a secret and they dress CoCo up like a human to go to school"

MONKEY BUSINESS. ONLY ON DISNEY CHANNEL”

… Screw it, I would watch the hell out of that.

(Source: theclearlydope, via fireflyca)

5PM
fuckyeahillustrativeart:

Poster for Fantasia Music Evolved by Jamie McKiernanhttp://jamizzles.tumblr.com/

fuckyeahillustrativeart:

Poster for Fantasia Music Evolved by Jamie McKiernan
http://jamizzles.tumblr.com/

art 

5PM

That awkward moment when my other half goes to visit a female friend and somebody says in hushed tones, ‘Oh but doesn’t that bother you?’

No? Because I’m an adult?

Seriously: I’ve been with the man for over five and a half years, we’ve lived together nearly three, and during my recent four-week hospital stay he came to see me practically every day and has generally been the sweetest person in the world when I’ve needed him most.

But nooooooooooo he knows other women and thus I should be worried about his man parts? I’m honestly not sure which of us ought to be more insulted.

5PM

joannalannister:

X

    

*Aggressively reblogs*

"Aggressively" on the basis that adverb is needed to correctly describe anything RoC-related.

(Source: houselannisters, via krazykitsune)

(129,309 plays)

5PM

immox:

I will always reblog this whenever it appears in my dashboard.

(Source: schweppesandcheshirecats, via wilwheaton)

April102014

rjdaae:

Ancient Greek black figure pottery-inspired nails, featuring Theseus facing the Minotaur on one hand, and Oedipus pondering the riddle of the Sphinx on the other. Matte finish for an extra pottery-ish look!

(via caterinasforzas)

10PM
10PM

mauridianhallow:

I feel like Susan was the only one asking the real fucking questions

I feel so much empathy for Susan as I get older.

(Source: darvll, via batty4u)

10PM
lilayart:

Zoom in please.

lilayart:

Zoom in please.

(via krazykitsune)

8AM

awkwardsituationist:

light pollution is largely the result poorly designed lighting, which wastes energy shining outward to the sky, where it is unwanted, instead of downwards to the ground, where it is needed. billions are spent each year on unshielded outdoor lights, though they are directly responsible for 14.7 million tons of carbon dioxide waste in the u.s. alone.

our overlit cities and suburbs have radically altered the light rhythms to which many forms of life, including diurnal animals such as ourselves, have adapted, disrupting the migratory, reproductive and feeding cycles of nocturnal creatures in potentially devastating ways.

light, for example, makes nocturnal animals easier prey, and acts as a magnet for birds, with the latter effect so powerful that scientists speak of some birds being literally “captured” by searchlights, circling in the thousands until they drop. the effect was notably observed in new york’s tribute of lights.

the effect on humans is just as profound. darkness is not only essential to our biological welfare (with light pollution linked to breast and prostate cancer), but the light of the stars and the rhythms of day and night is part our collective evolutionary and cultural patrimony. yet, two thirds of humanity live under skies polluted with light, while one fifth of the planet can no longer see the milky way.

photos by jim richardson from his series “death of night,” to consider during earth hour, which is saturday, march 29 at 8:30pm.

(via uhleeshah)

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